The cinematic clash of titans Godzilla and King Kong exceeded predictions in an impressively lucrative performance for “Godzilla x Kong: The New Empire.” The monster showdown debuted with an estimated $80 million at the box office across 3,861 North American venues. This bonanza result made it the second-best opening of an extraordinary year in film, according to the estimates released on Sunday.
An offering from Warner Bros. and Legendary Pictures, “Godzilla x Kong: The New Empire” starred Rebecca Hall and Brian Tyree Henry, and its debut came a hair’s breadth away from the opening glory of “Dune: Part 2,” which raked in $81.5 million during its initial weekend.
Pre-release predictions estimated a much modest earning of $50 million for the maiden weekend of “Godzilla x Kong: The New Empire.” Here, the iconic monsters fraternize rather than fight, bringing a fresh twist to their perennial power struggle.
“It’s a cinematic spectacle unfolding in a manner hitherto unseen, with these legendary characters exhibiting a whole new array of antics,” remarked Mary Parent, chairman of worldwide production for Legendary. “Significant stretches of the film are bereft of dialogue, capturing the mythic nuances of these characters through purely visual storytelling.”
Last weekend’s box office champion, “ Ghostbusters: Frozen Empire,” earned the second spot with $15.7 million, racking up a two-week total of $73.4 million.
“ Dune: Part Two ” displayed admirable resilience into its fifth week, securing the third place with an impressive haul of $11.1 million, which took its domestic earnings up to $252.4 million.
The performance of “Godzilla x Kong: The New Empire” dwarfed its predecessor, 2021’s “ Godzilla vs. Kong,” which managed a comparatively tepid $48.5 million in its opening weekend. Yet, considering the constraining circumstances of the coronavirus pandemic and the simultaneous release on HBO Max, that can be seen as a respectable showing which hinted at the potential success of the monster mash-up.
“Godzilla x Kong: The New Empire” claims the second-highest position in the MonsterVerse franchise’s openings. The highest spot goes to “Godzilla,” which raked in $93.2 million in 2014, making it the box-office kingpin of the creature’s nearly seven-decade-long filmography, predominantly in Japan. The film grossed over $200 million domestically, and over $500 million around the world.
This latest Warner Bros. and Legendary epic hits the screens merely four months after “Godzilla Minus One,” the lauded Japanese installment and Oscar winner. Clearly, there exists no such thing as Godzilla overload for moviegoers, many of whom were eager to shell out additional charges to view the film in IMAX and other specialized formats.
The successes of “Godzilla x Kong,” “Dune Part Two,” and “Ghostbusters” have driven this year’s box office earnings to just a 6 percent shortfall compared to 2023, a remarkable recovery from a 20 percent deficit recorded just before the March 1 premiere of Dune.
Looking ahead, the theatrical movie business does have reason to be hopeful, with upcoming releases such as Ryan Gosling’s “The Fall Guy” and new chapters in the “Planet of the Apes,” “Mad Max,” “Inside Out,” and “Deadpool” series. Yet, it seems highly improbable to match the blockbuster bonanza of 2023, which witnessed “Barbie” shatter the $1 billion global earnings barrier, hotly pursued by “Oppenheimer.”
As the commentator and senior media analyst for Comscore, Paul Dergarabedian, reflected, “’Barbenheimer’ is a one-off phenomenon.”
Final domestic box office figures are soon to be released. However, estimates place “Godzilla x Kong: The New Empire” at the top of the chart that weekend, followed by “Ghostbusters: Frozen Empire,” and “Dune: Part Two,” earning $80 million, $15.7 million, and $11.1 million respectively. Lower down on the list were “Kung Fu Panda 4,” “Immaculate,” “Arthur the King,” “Late Night With the Devil,” “Tillu Square,” “Crew,” and “Imaginary,” rounding off the top ten.