Beyoncé Shakes Country Music World, Channels Diversity Spotlight on Genre


Dusty boots and quenched horses paint a familial picture of Tayhlor Coleman’s central Texas ranch. An array of sweaty skin baking under the southern sun is set to the soundtrack of classic country tunes roaring from enormous speakers. These are scenes that are almost like religious rituals, brought to life in the heart of triannual family gatherings. The seismic shift of Beyoncé’s new country album, “Act II: Cowboy Carter,” echoes throughout these gatherings, and to Coleman, it’s a far-fetched dream come true.

Expressing the sentiments of many, the 35-year-old Houston, Texas, native paints a vivid picture: “Imagine the world’s biggest artist coming home to a genre we all have an affinity for, but which never truly extended a welcoming hand to us. That is something quite hard to articulate in words.” Simply put, she sees Beyoncé as being more country than many people who are presently crafting country music.

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The latest from Beyoncé holds the top spot on the Billboard 200 for two consecutive weeks and marks a groundbreaking achievement in making her the first Black woman to top Billboard’s country album chart. Country superstar Lainey Wilson, the Grammy-winning recipient of the country album of the year, isn’t shy about her admiration. “There’s nothing that girl can’t do,” she declares, while also looking forward to the expansion of the country music fanbase as a result of Beyoncé’s influence.

Beyoncé’s bold entry into the genre and the passionate drives behind it have reignited discussions concerning the origins of country music and the diversity within it. Record-breaking interest from Beyoncé fans is climbing to fever pitch, creating a pressure cooker-type atmosphere in Nashville. Is it ready and willing to extend a warm welcome to newcomer listeners? Moreover, are these new listeners here to stay, or will their interest cool off when the initial excitement fades away?

Rissi Palmer, a country artist and host of the Apple Music radio show Color Me Country, admits that the impact Beyoncé has had may be more about her than the industry itself. The show, which has created a safe haven for fans of color to enjoy country music, credits Beyoncé’s influence to her power and brand accessibility rather than applauding the country music industry for breaking barriers and diversifying.

The profound impact of Beyoncé’s “Cowboy Carter” is indisputable, but Tanner Davenport, co-director of Black Opry, worries that the enormous success of the album might encourage complacency amongst industry executives allowing them to escape the need to platform existing and future Black artists. Black Opry, established in April 2021, aims to amplify Black voices in country, Americana, blues, and folk music, a notion that continues to gain traction as a result of Beyoncé’s album.

The question of representation keeps coming up: Reyna Roberts, a rising country artist featured on “Cowboy Carter,” faced skepticism over her musical dreams due to her diverse musical upbringing. Thanks to inspiration from artists blending country and hip-hop, Roberts persists to ensure representation for those who might not see it otherwise.

Industry data reflects a stark reality: artists of color received a meager 1.5% of country radio airplay between 2002-2020. And yet, America clings to the promise rolled out by Queen Bey herself, showcasing to the masses that country music is more diverse than its past track record suggests. Beyoncé’s ensemble opening salvo has channeled overdue attention to artists of color, signaling her influence isn’t just rattling charts but shaking the entire country music industry.

Safety and comfort within the country music environment have become a sticking point for many fans of color. Commemorative anecdotes of Beyoncé’s 2016 performance at the CMA Awards sparked serious debate about the country music’s ability to create an inclusive atmosphere. However, fan testimonies like that of Monica Wisdom, a fan who felt unwelcome in a Reba McEntire concert, reveal the shadows that must be confronted to truly transform the country music scene.

While the impact of Beyoncé’s country music venture may not be fully grasped for years to come, palpable optimism stirs in Nashville, hoping the curiosity surrounding Black country artists will only continue to swell. The real question remains: are we witnessing a one-time phenomenon or the start of a cultural reclamation of a genre rooted in Black culture? As the dust settles on the “Cowboy Carter” era, the answer remains crucial for the future of diversity in country music.